Since joining UD in 1998, Paul D. Head has led the choral program to international prominence, creating a legacy of choral music education in the process.
As a teenager, I found my own personal identity while singing in the high school choir. That was a safe place where I could resonate with other humans while expressing myself through the vehicle of music married with prose. That caused me to rethink everything I thought I knew about love, life and the concept of existence. Singing in a choir is an opportunity to be fully alive, unabashedly yourself and an integral part of a committed community all at the same time. Paul Head
It’s this philosophy that Paul D. Head, Unidel Professor of Music and director of choral studies, has followed throughout his 25 years at the University of Delaware.
During his tenure, Head has built a community of hundreds of choral musicians who have performed in Asia and Europe, building relationships through music, including a lasting partnership with famed Welsh composer Paul Mealor, whose composition Kyrie Eleison was sung at the coronation of King Charles III.
To celebrate his silver anniversary, Head’s choral conducting graduate students Sarah Wojcik (‘21 B.M. choral/general music education) and Jay Besch, organized a surprise for him at the annual UD Spring Chorale concert.
The students performed a newly commissioned piece, The Dream. More than 100 choral alumni, members of Schola Cantorum, and even former students from Head’s days teaching high school in California, joined Chorale to perform the final movement, “My Soul, a Vibrant Harp of Love,” written by Mealor.
What a joy it was to have been given the opportunity to write a new piece - in secret - for the wonderful Paul Head and his special anniversary. Paul is a unique individual who inspires the very best out of every person he meets. His music-making is first class and second to none! It was a joy to write this for him as a gift from his students - past and present. Paul Mealor
Wojcik and Besch had collected donations for The Dream, and with Mealor’s help they contacted composers to write the other four movements: Dan Forrest, John Frederick Hudson, Joanna Gill and Thomas LaVoy. The pieces were conducted by choral alumni Arreon Harley-Emerson, Katie Geiger, Lauren Conrad, Melanie Mijares and Peter Solecki.