Noël Archambeault
Associate Professor, Voice
University of Delaware
126 Amy E. du Pont Music Building
Newark, DE 19716
302-831-7466
Biography
​Noël
Archambeault, soprano, teaches applied voice, vocal pedagogy and lyric
diction at the University of Delaware. She has previously served on the
music faculties of Lincoln University, Texas Tech University, Texas
A&M University–Kingsville and Mineral Area College in Park Hills,
Mo., and as a member of the artist faculty at Brevard Music Center. She
holds a Bachelor of Music in Vocal Performance from the University of
the Incarnate Word in San Antonio, a Master of Music in Vocal
Performance and Pedagogy from Westminster Choir College of Rider
University and a Doctor of Musical Arts in Vocal Performance from Texas
Tech University. She has studied voice with such world-renowned teachers
as William Warfield, Lindsey Christiansen, Kathy McNeil, Diana Allen
and Deborah Bussineau-King. Her vocal pedagogy teachers include Scott
McCoy, Marvin Keenze and Sue Arnold, and she has participated in master
classes with celebrated vocal pedagogues Robert Sataloff and Thomas
Cleveland. In addition, Dr. Archambeault has had the privilege of
coaching with luminaries such as Dalton Baldwin, J.J. Penna, John
Hollins and William Gokelman.As a pedagogue, Dr. Archambeault is a
successful researcher in the areas of vocal jazz and the use of
technology in the voice studio. She has been published in The Voice
Foundation’s Journal of Voice and the American Choral Directors Association’s Choral Journal,
in addition to being a guest presenter for The Voice Foundation, the
International Association for Jazz Educators and the Hawaii
International Conference on the Arts and Humanities.
Dr.
Archambeault’s performing career has been marked by tremendous vocal and
dramatic versatility and has included performances of operatic and
concert repertoire from soprano and mezzo-soprano literature. Recent
concert engagements have encompassed composers as drastically different
as J.S. Bach and Arnold Schoenberg, and have included performances of
works by Haydn, Mozart and Rossini. Her operatic repertoire includes
prominent heroines of the lyric and spinto soprano repertoire, including
the title role in Puccini’s Suor Angelica, Amelia in Verdi’s Un Ballo in Maschera and Micaela in Bizet’s Carmen.
As a recitalist, Dr. Archambeault is in great demand as an interpreter
of 20th-century and contemporary music. Recent collaborations include
the speaker in Schoenberg's Pierrot Lunaire, as well as performances with Orchestra 2001 and the Relâche ensemble.
This Page Last Modified On: